When I was a child, people of Japanese ethnicity made up about a third of the population. That percentage has steadily dropped, mostly because of mixed marriages. Nevertheless, the culture in Hawaiʻi strongly reflects that history. So, being familiar with much that is Japanese, we found many cultural similarities when we visited Japan, like shoes off indoors. At the same time, however, we also found real differences between Japan Japanese and American Japanese.
My first meal was tempura. Allison and Filippo landed about six hours ahead of us and had already discovered this little gem not far from the hotel where she had booked our rooms. While the gentlemen took naps after the long flights, Allison brought me there for a light dinner. Best tempura I’ve ever had!
Here’s Nina about to chow down on ikura sushi, made with salmon roe. She also polished off the pieces on the other tray, made with tuna.
Allison found this shrimp ball at a seafood market. It was simple, perfectly simple!
We discovered dishes we had never had before, like “mushed tofu salad with persimmon.” Again, simple but superb. Autumn is persimmon time in Japan, and convenience stores like 7-11 were selling them.
Autumn is also time for chestnuts, as it is in Italy, according to Allison and Filippo. These beauties, grabbed from the ground beneath a roadside tree on the art island of Teshima, were bigger and better than the Italian ones, they said. All four of us picked up chestnuts, and, in the evenings back at our house after a day of art, we feasted on them.
Although the ramen was delicious (top photo), the highlight of the meal was using a ticket machine to order and pay for our bowls. Says Michael, “We are taught that America is the height of modern technological development. I was embarrassed to learn that this is simply not the case. Japan is clearly far ahead of the United States in uptake of modern technology.”
“Luxurious” is perhaps the best way to describe the taste and texture of Wagyu beef. We had never had this famous Japanese beef before traveling to Japan. Supposedly, Wagyu cattle is massaged. Not so. Japanese farmers, however, are careful to create a healthy and stress-free environment for their cattle. That’s time consuming and expensive. But if you want the best, that’s what you do.
Our amazing Wagyu lunch in Tokyo was hosted by Yoshi Koshikawa. We first met Professor Koshikawa in Hawaiʻi, in 2022, when he came for a sabbatical at the University of Hawaiʻi at Mānoa. Seeing him again in Japan was special.
Also special were encounters with Japanese people while we were traveling. We are in front of the Tokiwa Ryokan, with the 6th-generation proprietress (top photo). In the town of Bizen on our way to Naoshima, Allison had booked a night in this traditional Japanese inn. We dined at the inn, enjoying country-style kaiseki cuisine – a traditional, multi-course meal – made with seafood from the Seto Inland Sea.
Allison and Filippo wanted to stop in Bizen because the area produces pottery and Filippo throws pots. Japan has one of the oldest ceramic traditions in the world, and Bizen is one of Japan’s “Six Ancient Kilns.” These are production areas that have carried on Japan’s ancient techniques from medieval times to today and are protected by the government.
Bizen ware is not glazed, and the lack of luster gives a simple, rustic appearance. Surface patterns are produced by wood ash in the kiln. It was favored by Sen no Rikyu (1522–1591), a legendary tea master and the first to emphasize certain aspects of the tea ceremony, such as “rustic simplicity, a straightforward approach, and honesty of self.”
At the Kibido pottery studio, Yosuke Kimura invited us in back to see the work area and graciously took time to explain their art. We learned, for example, that they dig their clay from 6 feet below rice paddies and that they fire their pieces with wood for almost two weeks, gradually raising the temperature to well over 2,000ºF (top photo). We met Mizuho Kimura, his wife, back in the showroom. The couple is the 10th generation of Kimura family potters in Bizen. Mizuho’s father, Bifu Kimura, is the current master.
You can read more about this family of ceramic artists by CLICKING HERE.
A few days later, on the island of Naoshima, we were lucky to discover Noraya, a sake bar overlooking the port. Its sign read: “Sake can be enjoyed at various temperatures and with Japanese ceramics.” (Earlier in this post, you saw a lovely ceramic piece cupping a tofu salad made with persimmon. We ordered that salad in Noraya, and it’s one meal I’m now making at home.)
In the group photo, the woman in blue next to me is Sakura Morinaga. She and a friend (behind) stopped into Noraya just as we were leaving, and we recognized each other from the Chichu Art Museum, where the two women had been working for the season. Their term had ended and the pair had come in for a celebration. We had a friendly chat and exchanged contact info. Sakura was heading to Australia. Maybe she’ll come to Hawaiʻi.
I include this photo of the two hula girls because it shows how much the Japanese love Hawaiʻi and all things Hawaiian. At the community center on Naoshima, we were amazed to see children rushing into the building wearing hula skirts. I went inside for a closer look, and when I told them I was visiting from Hawaiʻi, they squealed with delight and gave me big smiles. Everywhere we went in Japan, sharing that elicited the same reaction.
These last photos say much about Japanese culture. On the trains, which were unfailingly punctual and clean, this sign was posted:
Don’t run for your train. It’s dangerous and embarrassing if you get caught between the doors.
The key word is “embarrassing.” After we returned home, Michael would sometimes describe our trip to Japan as an embarrassing experience. He was embarrassed by how clean things were in Japan. (The public restrooms were so spotless that you could eat in them.) He was embarrassed to learn about sophisticated use of technology. (Courtney’s family scored a reservation in Tokyo at the Dawn Avatar Robot Café, where robots waiting on customers are operated remotely via the internet by persons who are housebound, either because of physical disabilities, lack of childcare or for other reasons. You can read more about it by CLICKING HERE.)
Now look carefully at this photo, taken at 21_21 DESIGN SIGHT, a design museum in Tokyo. Notice that the art objects are displayed on the floor, and museum goers are free to approach them. No one touched anything, probably so as not to disturb the exact placement of each piece. These are part of an exhibition – titled “Materials, or” – that explored the human relationship with raw materials. Why do you suppose nothing gets damaged or stolen? Again, there’s that word “embarrassing.” It’s the Japanese culture.
Certain materials in the exhibit were touchable – and accompanied by signs inviting you to touch them, like this bear hide. But I saw how reverently the touching was done. A rambunctious American child would be rolling around on it!
We understand now why so many folks who have been to Japan go back again and again.